The Art Collection

at Paragon Star

Explore Paragon Star's curated art collection, featuring stunning works from world renowned artists. Discover the creativity and culture that enrich our vibrant community.

Anthony James 

Portal 

Metal, Mirrors, Glass and LED

Anthony James (B. 1974) is a London-born, Los Angeles-based artist who graduated from Central Saint Martins College of Art and Design with a degree in painting. James is known for his monumental sculptures and installations that embrace Minimalism, Transcendentalism, and Light & Space. In the winter of 2023, James became the first and only visual artist to have work exhibited on all seven continents when he installed one of his stainless steel, glass, and LED Portals at White Desert’s base camp in Antarctica near the South Pole.

“It doesn’t matter what your education level is, what language you speak, what culture you are brought up in, or where you are from,” says James. “My work deals with a universal language based in sacred geometry. It’s innate to everyone on the planet, so it’s an honor to have my work on view in every continent.”

Bates Wilson 

Jackson 

Polished and Painted Metal

Sculptor Bates Wilson (B. 1960) has exhibited with the gallery since 2009. During the past ten years, the scale, ambition, and execution of his diverse oeuvre have attracted corporate and private collection interest both nationally and internationally. His monumental work is in the collection of Norwegian Cruise Lines, Plan Do See Inc. in Osaka and Fukuoka, Japan, and the New York Historical Society. Private collections include Canada, Mexico, 

Brazil, Australia, and the UK. The origins of his work involve the use of discarded industrial materials, including metal and wood, used to create imagined fauna: billfish, large mammals, biomorphic airplanes, steampunk surfboards, and larger-than-life insects. His work is exciting, dynamic, and accessible to both the general public and collectors who are attracted to both the subject matter and execution of his work. The gallery has held numerous one-man exhibitions of his work, and he has exhibited at FADA Los Angeles, Art Next Chicago, and twice during Miami Art Week at SCOPE International Art Fair (2018, 2019).

Okuda San Miguel 

Squirrel and Penguin 

Fiberglass, Paint and Metal

Okuda’s repertoire includes solo shows in galleries, art fairs, museums, and outdoor installations all over the world. His work is sought by collectors and art institutions because of his unique iconographic language, geometric structures, and wide palette of colors. In recent years, strong interest in his work has been arising in Asia, where he has created outstanding public art installations and has collaborated with strong partners such as K11 Art Museums or Bund18. Furthermore, his active participation in major social projects with Coloring the World Foundation - of which he is Honorary President - has made him one of the world’s most recognized and admired artists.

“My work is inspired by surrealism, ancient cultures, popular icons, and the virtual world with a nod to my past as a graffiti writer,” he says. “I try to avoid fixed messages; I prefer to address universal themes. I like to encourage questions instead of giving answers. For me, it’s not the solution that’s important; it’s the path that takes you there.” He continues, “The most special thing about working in the street is transforming new places with color inspired by the people who live there; it is the root of my strong interest in encouraging cultural dialogue.”

Andrew Carson 

Mini Color Swirl, Glassinator, Small Color Galaxy 

Glass, Metal, Rubber

“What exactly is interactive art? How do I blend mechanics and aesthetics? What do I convey through my kinetic sculptures? These are the questions I have pondered throughout my career as an artist.”

“I create my sculpture to interact with people and solve riddles of landscape, both interior and exterior. It is not always easy to blend functionality with form. Only a few of the kinetic sculptures I dream are ever realized.”

“Each design starts as a rough sketch on paper. Periodically, I sift through my sketches and execute the most intriguing. From there, I work methodically: sizing the parts, figuring out the mechanics, perfecting the rotations, and developing the prototypes. When the design is complete, I print the final drawings at full scale. Then, I engineer and make the parts using a combination of industrial processes and handworking. This includes every piece: pillars, metal elements, glass cups, hubs, and transitions. Each piece is fabricated by hand.”

Jun Kaneko

The Heads

Galzed Ceramics & Stainless Steel

Kaneko is increasingly drawn to installations that promote civic interaction, realizing over seventy public art commissions from 1985 to present. Many are large-scale permanent installations that can be seen across the United States and internationally in Toronto, Canada, Shanghai, China, Jakarta, Indonesia, and multiple cities in Japan.


His artwork appears in numerous international and national solo and group exhibitions annually and is included in more than eighty museum collections. Kaneko received Commendation from the Minister of Foreign Affairs of Japan, Master of the Media from the James Renwick Alliance, Gold Medal for Consummate Craftsmanship from the American Craft Council, Lifetime Achievement Award from the International Sculpture Center, and holds honorary doctorates from the University of Nebraska, the Massachusetts College of Art & Design, the Royal College of Art in London, and the University of Pécs in Hungary.

Jun Kaneko

Dango

Glazed Ceramic

Kaneko built his first Dangos, named after Japanese dumplings, in 1983 at an industrial kiln in Omaha, Nebraska, provided by the Bemis Center for Contemporary Arts. These hand-built monoliths were six feet tall and weighed five and a half tons upon completion. Since this first experiment with scale, Kaneko’s creativity and ingenuity have produced Dangos over thirteen feet in height. Yet for Kaneko, the scale of his Dangos is inherent to their form. He says, “Oftentimes I am asked why I make such large-scale work. In making any object, we cannot escape the problem of scale. I believe each form has one right scale. Whether I’m making a large or small object, in the end I hope it will make sense to have that particular scale and form together, and that it will give off enough energy to shake the air around it.” Kaneko’s Dangos have been recognized not only as the largest free-standing ceramic art pieces in the world, but as iconic masterpieces of contemporary art, represented in the collections of art museums and cultural institutions around the world.

Jun Kaneko

Tanuki

Glazed Ceramics

Jun Kaneko’s Tanuki figures are his thoughtful and contemporary interpretation of the Japanese folklore characters. He was initially drawn to creating Tanuki sculptures while visiting Shigaraki, a town which has one of the oldest ceramic traditions in Japan. The Tanuki became the town mascot and an important symbol of their business.

Having traveled to the region several times to work with local ceramic institutions, Jun Kaneko drew inspiration from Shigaraki’s tanuki statues to create his own version of the beloved shapeshifter. His Tanukis stand over 6 feet tall, their forms covered with the artist’s vibrant colors and patterns. Kaneko’s whimsical humor shines through with these pieces, and each one is a unique celebration of a treasured Japanese icon.

Floyd Elzinga

Unzip the Earth

Metal, Stone and Earth

This whimsical outdoor installation by Floyd Elzinga features stainless steel and concrete bricks, designed to resemble an oversized zipper. The exaggerated zipper handle and brick-like teeth create the illusion of the earth being unzipped.

This larger-than-life sculpture is inspired by Pop art and playfully explores the concept of peeling open the earth. Known for incorporating humor into his work, Elzinga's creation has gained international recognition, appearing in public galleries in Portugal and Minnesota, where it has become a sensation.